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VINCENZO BELLINI ( 1801-1835)
CD I
Norma Opera in due atti Libretto: Felice Romani
Pollione Barry Morell Flavio Edgardo Stivan
Track 1. Recitatief: Svani le voci…Cavatina: Meco all’altar…Recitatief: Odi! i suoi riti a compiere…Cabaletta: Me protegge, me difende un
La Sonnambula Opera in due atti Libretto: Felice Romani
Amina Mimi Mattei Teresa Yuko Tsuji Elvino Barry Morell
Track 2. Scene:…Reggime, o buona madre…Duetto: Vedi, o madre… è afflitto e mesto…Viva! Conte!...Aria: Ah perchè non posso odiarti
I Puritani Opera in tre atti Libretto: Carlo Pepoli
Elvira Mimi Mattei Lord Arturo Talbot Barry Morell Sir Riccardo Forth Walker Wyatt Sir Giorgio Leopold Spitzer
Orchester und Chor der Wiener Volksoper Conductor: Argeo Quadri
Track 3. Romanza e Duetto:...Son salvo, alfin son salvo…A una fronte afflitto e solo …Vieni fra queste braccia… Finale III…Alto là …Credeasi, misera!
GIUSEPPE VERDI (1813-1901)
Macbeth Melodramma in quattro atti Libretto: Francesco Maria Piave from the play by William Shakespeare
Macduff Barry Morell Malcolm Franco Ghitti
Orchestra and Chorus of the Metropolitan Opera, New York
Conductor: Nello Santi
April 4, 1964
Track 4. Scena ed Aria: O figli miei!...Ah, la paterna mano…Dove Siam?.. Che bosco è quello?
Un ballo in maschera Opera in tre atti Libretto, Antonio Somma after Scribe
Amelia Elinor Ross Riccardo Barry Morell Renato Robert Merill Ulrica Maureen Forrester Oscar Roberta Peters Samuel Raymond Michalski Tom Philip Booth
Orchestra and Chorus of the Metropolitan Opera, New York
Conductor: Henry Lewis
December 6, 1975
Track 5. S’avanza I Conti… Track 6. Che v’agita cosi?...Su profetessa, monta il treppiè…Di tu se fedele Track 7. Teco io sto
CD II
Un ballo in maschera
Track 1. Forse la soglia attinse…Ma se m’è forza perderti.. Ah! dessa è là Track 2. Ah! perchè qui! Fuggite… E tu ricevi il mio!... Ella è pura in braccio a morte
GIACOMO PUCCINI (1858-19240)
La bohème Opera in Quattro atti Libretto: Giuseppe Giacosa & Luigi Illica after Henri Murger: “Scènes de la vie Bohème”
Mimi Victoria de los Angeles Rodolfo Barry Morell Marcello Lorenzo Testi Schaunard Roald Reitan Colline William Wilderman
Orchestra of the Metropolitan Opera, New York
Conductor: George Schick
March 11, 1961
Track 3. Non sono in vena…Che gelida manina…Si.Mi chiamano Mimi… O soave fanciulla
Mimi Lucine Amara Rodolfo Barry Morell Marcello Lorenzo Testi Musetta Laurel Hurley
Orchestra of the Metropolitan Opera, New York
Conductor: Martin Rich
January 20, 1962
Track 4. Marcello. Finalemente…Addio…Donde lieta usi al tuo grido… Dunque è proprio finita
Mimi Renata Scotto Rodolfo Barry Morell Marcello Invar Wixell Schaunard Allan Monk Colline Paul Plishka Musetta Leona Mitchell
Orchestra of the Metropolitan Opera, New York
Conductor: James Conlon
December 24, 1977
Track 5. In un coupé?…O Mimi, tu più non torni Track 6. Sono andati?
Tosca Opera in tre atti Libretto: Giuseppe Giacosa & Luigi Illica after Victorien Sardou
Track 7. Recondita Armonia (Mario Cavaradossi – Sagrestano) Track 8. E Lucevan le stelle (Mario Cavaradossi)
Madama Butterfly Opera in tre atti Libretto: Giuseppe Giacosa & Luigi Illica from the play by David Belasco
Track 9. Addio fiorito asil (Pinkerton, Sharpless)
La Fanciulla del West Opera in tre atti Libretto: Guelfo Civinini e Carlo Zangarini from the play by David Belasco
Track 10. Ch’ella mi creda, libero e lontano (Johnson)
With Denis Trussa (baritone) Orchester und Chor der Wiener Volksoper
Conductor: Argeo Quadri
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The American tenor Barry Morell spent the first 10 years of his career in the United States singing lyrical roles, but then, as his voice grew larger and darker in colour, he took his new, heavier repertory abroad, appearing in London, Santiago, Vienna, Graz, Naples, Rome, Berlin and Barcelona. The beauty of his voice and the musicality of his singing did not change, though his limitations as an actor were perhaps more noticeable. He studied singing in New York, at first as a baritone, then with Giuseppe Danise, as a tenor. Having made his operatic début at the New York City Center Opera in 1955 as Pinkerton in Madama Butterfly, he transferred to the Metropolitan Opera in 1958, making his first appearance there in the same role. Morell continued to sing at the Met every year until 1968, his roles including Cavaradossi in Tosca (with Renate Tebaldi), Matteo in Arabella (with Lisa della Casa), Alfredo, the Duke of Mantua in Rigoletto and Rodolfo. He played more than 20 roles with the Met during 257 performances. After moving to Rome in 1968 with his family he went on to perform in Barcelona, Berlin, Vienna and many other key opera houses across the world. He returned to the Metropolitan for a final time in 1979, singing, as he had on his début there 21 years previously, Pinkerton in Madama Butterfly, and retired in the mid-1980s. The competition of other tenors such as Carlo Bergonzi and Franco Corelli was too great. Today he would have been world famous, judged by his studio and radio recordings.
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CD Length and Format:
CD 1 77.58 minutes CD 2 77.07 minutes
The CDs are in MP3 Format (320 kbps), with Cue Sheets.
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