Papillon: Barry Morell

 

 

VINCENZO BELLINI ( 1801-1835)

CD I

Norma

Opera in due atti
Libretto: Felice Romani

Pollione     Barry Morell
Flavio       Edgardo Stivan

Track 1. Recitatief: Svani le voci…Cavatina: Meco all’altar…Recitatief:
               Odi! i suoi riti a compiere…Cabaletta: Me protegge, me difende un

La Sonnambula
Opera in due atti
Libretto: Felice Romani

Amina       Mimi Mattei
Teresa       Yuko Tsuji
Elvino        Barry Morell

Track 2. Scene:…Reggime, o buona madre…Duetto: Vedi, o madre…
              è afflitto e mesto…Viva! Conte!...Aria: Ah perchè non posso odiarti

I Puritani
Opera in tre atti
Libretto: Carlo Pepoli

Elvira                            Mimi Mattei
Lord Arturo Talbot       Barry Morell
Sir Riccardo Forth         Walker Wyatt
Sir Giorgio                     Leopold Spitzer

Orchester und Chor der Wiener Volksoper
Conductor: Argeo Quadri

Track 3. Romanza e Duetto:...Son salvo, alfin son salvo…A una fronte afflitto e solo
               …Vieni fra queste braccia…
               Finale III…Alto là …Credeasi, misera!

GIUSEPPE VERDI (1813-1901)

Macbeth

Melodramma in quattro atti
Libretto: Francesco Maria Piave
from the play by William Shakespeare

Macduff       Barry Morell
Malcolm      Franco Ghitti

Orchestra and Chorus of the Metropolitan Opera, New York

Conductor: Nello Santi

April 4, 1964

Track 4. Scena ed Aria: O figli miei!...Ah, la paterna mano…Dove Siam?..
              Che bosco è quello?

Un ballo in maschera
Opera in tre atti
Libretto, Antonio Somma after Scribe

Amelia      Elinor Ross
Riccardo   Barry Morell
Renato     Robert Merill
Ulrica       Maureen Forrester
Oscar       Roberta Peters
Samuel     Raymond Michalski
Tom         Philip Booth

Orchestra and Chorus of the Metropolitan Opera, New York

Conductor: Henry Lewis

December 6, 1975

Track 5. S’avanza I Conti…
Track 6. Che v’agita cosi?...Su profetessa, monta il treppiè…Di tu se fedele
Track 7. Teco io sto

CD II

Un ballo in maschera


Track 1. Forse la soglia attinse…Ma se m’è forza perderti.. Ah! dessa è là
Track 2. Ah! perchè qui! Fuggite… E tu ricevi il mio!...
              Ella è pura in braccio a morte

GIACOMO PUCCINI (1858-19240)

La bohème

Opera in Quattro atti
Libretto: Giuseppe Giacosa & Luigi Illica
after Henri Murger: “Scènes de la vie Bohème”

Mimi                Victoria de los Angeles
Rodolfo            Barry Morell
Marcello           Lorenzo Testi
Schaunard         Roald Reitan
Colline              William Wilderman

Orchestra of the Metropolitan Opera, New York

Conductor: George Schick

March 11, 1961

Track 3. Non sono in vena…Che gelida manina…Si.Mi chiamano Mimi…
             O soave fanciulla

Mimi           Lucine Amara
Rodolfo       Barry Morell
Marcello       Lorenzo Testi
Musetta       Laurel Hurley

Orchestra of the Metropolitan Opera, New York

Conductor: Martin Rich

January 20, 1962

Track 4. Marcello. Finalemente…Addio…Donde lieta usi al tuo grido…
              Dunque è proprio finita

Mimi             Renata Scotto
Rodolfo         Barry Morell
Marcello        Invar Wixell
Schaunard      Allan Monk
Colline           Paul Plishka
Musetta         Leona Mitchell

Orchestra of the Metropolitan Opera, New York

Conductor: James Conlon

December 24, 1977

Track 5. In un coupé?…O Mimi, tu più non torni
Track 6. Sono andati?

Tosca
Opera in tre atti
Libretto: Giuseppe Giacosa & Luigi Illica
after Victorien Sardou

Track 7. Recondita Armonia
              (Mario Cavaradossi – Sagrestano)
Track 8. E Lucevan le stelle
              (Mario Cavaradossi)

Madama Butterfly
Opera in tre atti
Libretto: Giuseppe Giacosa & Luigi Illica
from the play by David Belasco

Track 9. Addio fiorito asil
              (Pinkerton, Sharpless)

La Fanciulla del West
Opera in tre atti
Libretto: Guelfo Civinini e Carlo Zangarini
from the play by David Belasco

Track 10. Ch’ella mi creda, libero e lontano
                (Johnson)

With Denis Trussa (baritone)
Orchester und Chor der Wiener Volksoper

Conductor: Argeo Quadri


The American tenor Barry Morell spent the first 10 years of his career in the United States singing lyrical roles, but then, as his voice grew larger and darker in colour, he took his new, heavier repertory abroad, appearing in London, Santiago, Vienna, Graz, Naples, Rome, Berlin and Barcelona. The beauty of his voice and the musicality of his singing did not change, though his limitations as an actor were perhaps more noticeable. He studied singing in New York, at first as a baritone, then with Giuseppe Danise, as a tenor. Having made his operatic début at the New York City Center Opera in 1955 as Pinkerton in Madama Butterfly, he transferred to the Metropolitan Opera in 1958, making his first appearance there in the same role. Morell continued to sing at the Met every year until 1968, his roles including Cavaradossi in Tosca (with Renate Tebaldi), Matteo in Arabella (with Lisa della Casa), Alfredo, the Duke of Mantua in Rigoletto and Rodolfo. He played more than 20 roles with the Met during 257 performances. After moving to Rome in 1968 with his family he went on to perform in Barcelona, Berlin, Vienna and many other key opera houses across the world. He returned to the Metropolitan for a final time in 1979, singing, as he had on his début there 21 years previously, Pinkerton in Madama Butterfly, and retired in the mid-1980s. The competition of other tenors such as Carlo Bergonzi and Franco Corelli was too great. Today he would have been world famous, judged by his studio and radio recordings.


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CD Length and Format:

CD 1 77.58 minutes
CD 2 77.07 minutes

The CDs are in MP3 Format (320 kbps), with Cue Sheets.