Papillon: Cesare Siepi

 

 

CD I

SALZBURG - RECITAL, 1956


Leo Taubmann (piano)

Jean-Baptiste Lully (1632-1687)
Track 1. Amadis: Bois épais
Track 2. Alceste: Il faut passer dans ma bareque

Robert Schumann (1810-1856)
Track 3. Du bist wie eine Blume
Track 4. Ich grolle nicht

Johannes Brahms (1833-1897)
Track 5. O wüsst’ ich doch den Weg zurück
Track 6. Vergebliches Ständchen

Wolfgang Amadeus Mozart (1756-1791)
Track 7. Konzertarie: Per questa bella mano KV 612

Maurice Ravel (1875-1937)
Don Quichote à Dulcinée
Track 8. Chanson Romantique
Track 9. Chanson épique
Track 10. Chanson à boire

Arrigo Boito (1842-1918)
Track 11. Mefistofele : Aria: Ecco il mondo

Giuseppe Verdi (1813-1901)
Track 12. I Vespri Siciliani: O tu Palermo
Track 13. Simon Boccanegra: A te l’estremo addio

Gioacchino Rossini (1792-1868)
Track 14. Il Barbiere di Siviglia: La Calunnia
Track 15. L’Italian in Algeri: Le femine d’Italia

Antônio Carlos Gomez (1836-1896)
Track 16. Salvator Rosa: Aria di Fernando Cortez

SONGS OF ITALY
Orchestra and Chorus conducted by Dino di Stefano

Track 17. Voce ‘e notte (Lardino, De Curtis)
Track 18. Firenze sogna (Cesarini)
Track 19. Nun me scetà (Murolo,Tagliaferri)
Track 20. Tu, ca’ nun chiagne (Bovio, De Curtis)
Track 21. Visione Veneziana (Brogi, Orvello

CD II

Track 1. Funiculi, Funiculà (Turco, Denza)
Track 2. Più bella del mondo (Marini)
Track 3. I’ te vurria vasà! (Di Capua, Russo)
Track 4. Luna Nova
Track 5. Malià (Tosti)
Track 6. ‘Nu quarto ‘e luna (Oliviero, Manlio, Napax)
Track 7. Tiritomba (Unknown)

FAMOSE ROMANZE
Orcherstra da Camera della Rai diretta da Cesare Gallino

Track 8. E canta il grillo (Billi,Ricci)
Track 9. Mia sposa sarà la mia bandiera (Rotoli)
Track 10. Non t’amo più (Tosti)
Track 11. Occhi di fata (Denza, Tremacoldo)
Track 12. Serenata (Tosti, Cesareo)
Track 13. L’ultima canzone (Tosti, Cimmino)
Track 14. Visione Veneziana (Brogi, Orvieto)

BRAVO GIOVANNI

Music: Milton Schafer
Lyrics Ronny Graham
Book: A.J. Russel

Broadway 1962

With: Cesrae Siepi, Michele Lee, David Opatoshu, George S. Irving,
Maria Karmilova, Lainie K. Fuller, Baayork Lee.

Cesare Siepi is Giovanni Venturi, the owner of a small, family-style traittoria in Rome. When a brandt upscale Uriti restaurant chain opens up next door and threatens him with bankruptcy, his friend suggests he tunnel from the basement to the Uriti basement kitchen, steal food from the dumbw serve it in his place at reduced prices in order to stay competitive.

Track 15. Rome
Track 16. Breachy’s law
Track 17. The argument
Track 18. If I were the man
Track 19. We won’t discuss it
Track 20. Bravo Giovanni
Track 21. Miranda


Cesare Siepi (born Milan, February 10, 1923) is an Italian opera singer, generally considered to be one of the finest basses of the post-war period. His voice was characterised by a deep, warm timbre, and a ringing, vibrant upper register. On stage, his tall, striking presence and his great elegance of phrasing made him a natural Don Giovanni, among his many other roles. His international reputation was established in 1950, when Sir Rudolf Bing brought him to the Metropolitan Opera in New York to open the 1950 season as King Philip II in Don Carlos. He was to remain principal bass at the Met until 1974, adding roles such as Boris Godunov (in English) and Gurnemanz in Parsifal (in German), and singing all the major roles of the bass repertoire. His also gave his debut at the Royal Opera House, Covent Garden, in 1950, and appeared there regularly until the mid 1970s. In 1953 Siepi debuted at the Salzburg Festival with a legendary Don Giovanni conducted by Wilhelm Furtwängler, staged by Herbert Graf, and designed by Austrian architect Clemens Holzmeister. He made an immediate impact at the Salzburg Festival in the title role of Don Giovanni which became perhaps his best known role, as it had been for the most famous Italian bass of the generation before, Ezio Pinza.

Siepi was a frequent guest at the Vienna State Opera. In 43 performances he sang Don Giovanni, more often than any other singer in modern times except for Eberhard Waechter. He was a particularly fine recital artist, especially in Community Concerts under Columbia Artist Management, and a sensitive interpreter of German Lieder. Siepi enjoyed a long career, and performed regularly until the 1980s, including lead roles in the Broadway musicals Bravo Giovanni and Carmelina. In addition to his many studio recordings, there are also many live recordings of performances of his major roles.


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CD Length and Format:

CD 1 76.47 minutes
CD 2 72.48 minutes

The CDs are in MP3 Format (320 kbps), with Cue Sheets.